Susan Kennedy Art

Why should an artist stick to one style or genre? Here's one of my recent abstracts, it's (as usual) about a journey, and heaven, and striving) . I love nothing more than painting this type of abstract, but do feel conflicted when I remember that an artist needs to "have a consistent body of work". I'm beginning to think that for me, that's not going to happen. This pile of abstracts in my corner stands next to piles of realism and, unbelievably, cartoon sketches. I can't make myself stay with one style or genre. They are all a particular voice or instrument, if you will, for what is on my mind on any given day. Yes, I can understand why galleries and collectors might care. They don't want a loose cannon artist in their stable which will go off half-cocked and decide to become a cartoonist. But honestly, I can't otherwise understand why I should choose. The more I mull it over, the more I become convinced that, for me, different styles ar...

I think I'm losing my mind. I'm going nuts with miniature art, this happens periodically. My mind is always thrashing around, looking for a new twist on painting, crocheting, drawing...and making my tiny tiny miniatures into wearable art pendants is the latest iteration. For those who have restless hands and arty minds like mine, you can adhere a tiny watercolor or acrylic to the back of a glass round which then fits in to a bezel like the one on the left.  I'm using Diamond Glaze to adhere the miniature to the glass (after sealing the painting), and would love any input about a better way to do this. The manufacturer says that the Diamond Glaze is acid free, but that it could conceivably yellow. Yikes!  The pendant on the right is just a mixed media painting which has been sealed and glued into the bezel with Crafter's Pick "The Ultimate" glass and metal glue.  I'm sure I'll be learning a lot about making wearable art pendants, but th...

I love art cards; you might not know it, but I do indeed keep coming back again and again to the tiny format. This one's on my etsy store,  you can see it here. Anyway, back to the mini format: try it!! It's so therapeautic, it's almost like putting your head inside a box and getting lost in a tiny world. I find that it focuses my impulses and enforces a thoughtfulness as well as a daring willingness to take risk. I guess it's that there's little to lose, but I swear there's also something about zooming in that sharpens one's senses! It makes it so much easier to get "in the zone," and is a refuge in my artistic life.  All the more when the subject matter is abstract landscape or fantasy art! This one has an inscription on the back: "Dance Dream Soar" which expresses my state of mind when a fantasy subject and a lighthearted palette of colors is chosen.  If you enjoy this, come back later to see a post about tiny fantasy ...

I don't know why why why working on this cow head has been inspiring, but it has been. A drama friend got a dried, bleached skull to me, and I gooped it up and started layering paper mache on top...mesmerizing! The cardboard and chopsticks won't stay in Milky White's ears, but they are keeping the ears from curling inward. As you might guess, this is for a "Milky White" puppet for Into the Woods, which is what our local troupe is doing. : ) But seriously, falling in love with the paper as a medium, and thinking all kinds of strange thoughts like maybe I should sculpt. And it's funny, building a cow head on the real skull makes me feel so much sympathy for the gentle animal that was using that skull! It does make me happy that she has another life on the stage now. Have to finish her up with some toilet paper cellulose clay and figure out in puppet terms how to make her jaw OPEN only when a mechanism is triggered. I think I have noodled it out, but it s...

I've got two new classes starting next week (Sept 2012), Tuesdays and Thursdays! Can't wait! Tuesday at Old Atlanta park, we've got watercolor, and we're going to branch out to some floral and still life elements as well as landscape, this time. It's only $80 for four classes, once a week for two hours, so call 770 781-2215 to sign up. Oil class starting on Thursday from 1-3 is a similar setup, but it will be at Fowler Park, not Old Atlanta. Stand by for a cool photo of what I've been working on this week, it's paper mache! Can't put it down, I'm flippin obsessed! I'm finding that paper mache is so flexible! So easy to mold and sculpt, so forgiving. And cheap! I'm thrashing about experimenting with new media like ahem, cartoons, and well, paper mache, but I must say, it's thrilling. Send your comments and have a super arty day! 

Here's my latest, I finally finished it after redoing it about 5 times. I love water scenes, and haven't been doing realism a lot lately, but this one called out to me. That turquoisey sky almost looks like a postcard from 1955, I didn't mean for that to happen, but kindof like the wistful look. I love painting water in very thin layers, it seems like I get in trouble every time I try to use thick brushstrokes with a watery scene.

I'm so excited about collaborations!! Erin, if you read this, I need to trade paintings back and forth in the mail with you! My other daughter and I did this abstract together as a collaborative work. She started it, with the idea being a conflict of opinions and ideas. I don't know that it really ended up looking full of conflict, but it's certainly full of contrasting colors and details. If you're into painting, try collaborating! The older I get, the more interesting abstracts become, and I had no idea how inspiring collaborative work could be. Shannon and I paint for 10 minutes or so, then trade places. It is like bringing another muse into your head! The other artist does things to the piece which you never would have done, and all sorts of rabbit trails form which take on a life of their own. I love it! I'm not sure we've figured out a title for this one, but it will be on Shannon's etsy store soon. In the meantime, you can check out  susanke...